ராதே கிருஷ்ணா 28-10-2013
K. Bhagyaraj
K. Bhagyaraj (born 7 January 1953) is a Tamil film director, actor, writer and producer. He has directed and produced several Tamil films and also written and directed a few Teluguand Hindi films. He is well known for his mastery in screenplay. He won a Filmfare Best Actor Award for Mundhanai Mudichu (1983), a film he wrote, directed and starred in and also wrote the script for its remake in Hindi Masterji directed by K. Raghavendra Raostarring Rajesh Khanna.He has also been music composer in films like Idhu Namma Aalu,Pavunnu Pavunuthan, Gnanapazham to name a few.He is editor of weekly magazine Bhagya and has written 7 novels and appeared in Television serials and also directed few soaps for TV. He wrote books like Vaanga Cinemavai Pattri Pesalam, Neenga Nenaicha Saadikkalaam, Ungal Bhagyaraj in Kezhvi Bhadhil (Five Parts).
| K. Bhagyaraj | |
|---|---|
Bhagyaraj
| |
| Born | Krishnasaamy Bhagyaraj 7 January 1953 Vellankoil, Gobichettipalayam,Erode District, Tamil Nadu, India |
| Occupation | Actor, Director, Music Composer,Writer, Producer |
| Years active | 1975–present |
| Spouse(s) |
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| Children | |
| Parents |
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| Awards | Best Dialogues Award for Puthiya Vaarpugal Best Story Award forThaikkulamae Thaikkulamae Best Film Award for Idhu Namma Aalu Best Actor Award for Oru Kai Oosai |
Film career[edit]
Early career: (1976–79)
Beginning his career as an assistant to directors G. Ramakrishnan and Bharathiraja, Bhagyaraj became recognized for his scriptwriting talent. He first appeared as a junior artist playing small supporting roles with scree-space of not more than 3 minutes in the film like Pathinaru Vayathinile (1977) and later appeared similarly in Sigappu Rojakkal(1978). He was assistant director to Bhartiraja in 2 films - 16 Vayathnile and Kizhake Pogum Rail. Among his early work was writing the script for Bharathiraja's films, Kizhake Pogum Rail (1978), Tik Tik Tik(1981) and writing dialogues for Sigappu Rojakkal. He made his directorial debut with Suvarillatha Chiththirangal in 1979 and also his debut as the leading man in Puthiya Vaarpugal in 1979 directed by Bharatiraja. He received Best Dialogues Award for Puthiya Vaarpugal(1979). Kanni Paruvathile (1979), a film for which he wrote dialogues and screenplay and acted in negetive role, was a huge success. Though now he had not achieved success as a director till 1979, he was motivated with success as the hero with Puthiya Vaarpugal, negetive role and as a writer of story and dialogues in Kanni Paruvathile and decided to direct-act-write Oru Kai Oosai,which though not a huge success, gave him his first Best Actor Award.
Career peak: (1980–99)
He quickly established his own concern by 1980 and started producing and directing a string of distinctive films made mainly in the Tamil language. His first commercially successful main lead hero film was Bhama Rukmini in 1980. This film was neither directed-produced nor written by him. His voice was dubbed by some one else in all the films he did till 1980 including Bhama Rukmini. It was from films like Mouna Geetangal he started to dub his own lines in his films.He often stars in lead roles of the films he scripts and directs, effectively carving out a niche for himself in the actor-auteur vein. His style of film making is notable for its relatively elaborate, witty, and double-entered-laced script and socially themed framework. His on-screen personae are typically characterized by their ironic sense of humor and intelligent bravado.[2] Success of Bhama Rukmini was followed by 12 films directed by him - starring him as the main lead which were box-office hits - Vidiyum Vari Kaathiru, Mouna Geethanagal, Indru Poyi Naalai Vaa, Antha Ezhu Natkal, Thooral Ninnu Pochhu, Poyi Satchi, Darling Darling Darling, Dhavani Kannavukal, Munthanai Mudichu, Chinna Veedu,Enga Chinna Rasa and Idhu Namma Aalu. From 1981 onwards successful Tamil films starring him, directed and written by him started being remade in Hindi with first being Mouna Geetangal remade as Ek Hi Bhool and Anztha Ezhu Natkal remade as Woh Saat Din. In the period 1980-1990, he rarely acted in films not directed or not written by him with exceptions being Naan Sigappu Manithan, Anbulla Rajinikanth and En Rathathin Rathame. His next directorial venture Chithirame Chithirame was box-office flop and he directed Mayadari Mogudu in Telugu which was a success. He introduced actress Urvashi in Tamil film Mudhanai Mudichu and actress Kalpana (sister of Urvashi) made her debut with 1985 film Chinna Veedu directed by Bhagyraj, a commercially successful film. He received Filmfare Award for Best Tamil Actor for his performance in Mundhanai Mudichu. He became nationally famous when he wrote the script for Mundhanai Mudichu remake in Hindi as Masterji with Rajesh Khanna in the lead role, which was became a blockbuster. He decided to direct Hindi remake of Bhartiraja's 1984 directorial venture Oru Kaidhayin Diary with Rajesh Khanna in the lead in 1985, but later Khanna due to his date issues had to opt out and Bhagyaraj casted Amitabh Bachchan in the Hindi remake Aakhree Rasta but the Hindi version flopped at the box-office.[3] Now due to flopping of the Hindi remake, Bhagayraj decided to play safe and remade classic old Kannada movieMallammana Pavada starring Rajkumar and B. Saroja Devi into a new Tamil movie Enga Chinna Rasa in 1987, which became a huge blockbuster. In 1989, he wrote script for Idhu Namma Allu and decided to produce it but chose not to direct it by himself as he wanted to act-write-direct a film on a serious issue which was Aararo Aaariraro. He received Best Film Award for Idhu Namma Aalu in 1990, directed by Balakumar whereas the other film Aararo Aaariraro, though was critically acclaimed, proved to be unsuccessful at box-office. After death of MGR in 1987, during a meeting with director C.V Sridhar and producer Duraiswamay, an idea came across to Bhagyaraj to make use of unfinished 1977 film Anna Nee En Deivam starring MGR and Lata and make the film Avasara Police 100starring himself as well in the lead. This 1990 film was widely promoted as a film with MGR and Bhagyaraj in lead role and the film was a huge blockbuster in 1990.
From 1991, he gradually started accepting more acting offers as lead hero where director-producer-scripwriter would be three different people than he himself writing-directing-acting in his films. Rudhra (film), Amma Vanthachu, Gnanapazham(1996), Suyamvaram(1999) were such successful films where he was involved only in capacity of that of actor. He also started the weekly magazine 'Bhagya' and he is the editor of that magazine. His successful directorial ventures written by him from 1991 were Sundara Kandam, Raasukutti,Veetla Visheshanga, Oru Oorla oru Rajakumari, Vaettiya Madichu Kattu. Failure of his Hindi directorial ventures Akhree Rasta and Mr.Bechara made Bhagyaraj to decide that though he may only write scripts for Hindi films and that he would not direct by himself. He decided to remake Veetla Visheshanga as Mr.Bechara in Hindi but again his directorial venture in Hindi was not successful. He casted his son Shanthanu Bhagyaraj as the child artist in Vaettiya Madichu Kattu in 1998 and the film dealt with father-son relationship. His successful Tamil films written by him continued to be in demand for Hindi remakes in 1990's and were huge hits in Hindi - with Avasara Police 100 remade into Gopi Kishen, Sundara Kandam remade as Andaz(1994), Raasukutti remade as Raja Babu, Vaettiya Madichu Kattu remade as Papa The Great which were successful. He also wrote the script for Tamil film Thaikulame Thaikulame(1995) starringPandiarajan, whose actor-director was not himself in Hindi as Gharwali-Baharwali(1998).[4]
Later career: (2000–present)
He took a break from acting as the lead hero in Tamil films after release of Vaettiya Madichu Kattu(1998) and Suyamvaram(1999) as he was not happy with new scripts from other banners offered to him in 2000 and so from 2000-06 he did not accept any film as the lead hero. Instead he directed TV shows Neenga Nenaicha Saadhikkalanga, Idhu Oru Kadhayin Kadhai(for DD Podhigai) and appeared in Apapadi Podu in Jaya TV in this period. His teleserial ‘Rules Rangachari’ as very famous in DD channel & it completed 390 episodes. He wrote and directed the commercially successful 2003 film Chokka Thangam, an action film starring Vijayakanth. He launched his daughter Saranya Bhagyaraj with Parijatham, which he wrote and directed in 2006 and was a huge success.[5] He returned to acting with Something Something... Unakkum Enakkum and Rendu in a supporting role and with Kaasu Irukkanum as the lead hero in 2007.From 2007 to present he has been seen in more films as an actor in supporting roles. He directed his adult son Shanthanu Bhagyaraj in a romantic film Siddu +2 in 2010. He ventured into Malayalam films as supporting actor with Mr. Marumakan.
He wrote books like Vaanga Cinemavai Pattri Pesalam, Neenga Nenaicha Saadikkalaam, Ungal Bhagyaraj in Kezhvi Bhadhil (Five Parts) and has written 7 novels.
Filmography
| Year | Film | Role | Language | Notes |
|---|---|---|---|---|
| 1977 | 16 Vayathinile | Tamil | Assistant director Cameo appearance | |
| 1978 | Kizhake Pogum Rail | Tamil | Assistant director Cameo appearance | |
| 1978 | Sigappu Rojakkal | Tamil | Also writer Cameo appearance | |
| 1979 | Puthiya Vaarpugal | Tamil | Debut film as hero | |
| 1979 | Kanni Paruvathile | Tamil | Also writer | |
| 1979 | Suvarilladha Chiththirangal | Tamil | ||
| 1980 | Bhama Rukmani | Tamil | Also writer | |
| 1980 | Oru Kai Oosai | Tamil | ||
| 1980 | Kumari Pennin Ullathile | Tamil | ||
| 1981 | Mouna Geethangal | Tamil | Remade in Hindi as Ek Hi Bhool | |
| 1981 | Indru Poi Naalai Vaa | Tamil | ||
| 1981 | Vidiyum Varai Kaathiru | Tamil | ||
| 1981 | Antha Ezhu Naatkal | Tamil | Remade into Hindi as Woh Saat Din Remade in Telugu as Radha Kalyanam | |
| 1982 | Thooral Ninnu Pochu | Tamil | ||
| 1982 | Poi Satchi | Tamil | ||
| 1982 | Darling, Darling, Darling | Tamil | ||
| 1983 | Mundhanai Mudichu | Tamil | Won Filmfare Best Actor Award Writer in Hindi version, Masterji Remade in Kannada as Halli Mesthru | |
| 1983 | Dhavani Kanavugal | Tamil | ||
| 1985 | Chinna Veedu | Tamil | Director. | |
| 1985 | Naan Sigappu Manithan | Tamil | ||
| 1985 | Anbulla Rajinikanth | Tamil | Cameo | |
| 1986 | Aakhri Raasta | Hindi | Remake of Oru Kaidhiyin Diary | |
| 1987 | Enga Chinna Rasa | Tamil | Remade into Hindi as Beta Remade into Kannada as Annayya | |
| 1988 | Idhu Namma Aalu | Tamil | Also composer and writer Remade in Kannada as Ravi Shastri | |
| 1989 | Avasara Police 100 | Tamil | Remade into Hindi as Gopi Kishen | |
| 1989 | En Rathathin Rathame | Tamil | Remade from Hindi movie "Mr. India" | |
| 1989 | Aararo Aaariraro | Tamil | Also composer | |
| 1990 | Sundara Kandam | Tamil | Remade in Hindi as Andaz Remade in Telugu as Sundarakanda Remade in Kannada as Sundarakanda | |
| 1991 | Pavunnu Pavunuthan | Tamil | Also composer | |
| 1991 | Rudhra | Tamil | ||
| 1992 | Raasukutti | Tamil | Remade into Hindi as Raja Babu Remade into Kannada as Patela | |
| 1992 | Amma Vanthachu | Tamil | ||
| 1994 | Veetla Visheshanga | Tamil | Remade into Hindi as Mr. Bechara | |
| 1995 | Oru Oorla oru Rajakumari | Tamil | ||
| 1996 | Mr. Bechara | Hindi | Remake of Tamil movie Veetla Visheshanga | |
| 1996 | Gnanapazham | Tamil | Music composer | |
| 1998 | Vaettiya Madichu Kattu | Tamil | Remade into Hindi as Papa The Great | |
| 2000 | Papa the Great | Hindi | ||
| 2003 | Chokka Thangam | Tamil | ||
| 2006 | Parijatham | Tamil | ||
| 2006 | Something Something Unakkum Enakkum | Tamil | ||
| 2006 | Rendu | Tamil | ||
| 2007 | Mudhan Mudhalai | Tamil | ||
| 2007 | Kaasu Irukkanum | Tamil | ||
| 2008 | Maanavan Ninaithaal | Tamil | ||
| 2009 | Ninaithale Inikkum | Tamil | ||
| 2010 | Uthama Puthiran | Tamil | ||
| 2010 | Siddu +2 | Tamil | ||
| 2011 | Appavi | Tamil | ||
| 2011 | Maaveeran | Tamil | Dialogue Writer Tamil dubbed version of Telugu film Magadheera | |
| 2011 | Vaagai Sooda Vaa | Tamil | ||
| 2012 | Mr. Marumakan | Malayalam | Malayalam film | |
| 2013 | Oruvar Meethu Iruvar Sainthu | Tamil | ||
| 2013 | Ivanum Panakkaran | Tamil | filming |
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